A One-Page Periodic Newsletter for Readers of BalonaBooks: Fans, Flamers, Supporters, Detractors, Critics

We find that our newest BalonaBook by Jon Riis has created some irritation, jubilation, flames, and cheers among our readers. Woman Times One we listed as a "quasi-romance." Evidently, a good many innocent readers skipped reading the "quasi" part and dove in expecting bare-chested heroes and twittering virgins. Not that bare chests or virgins are poor reading fare. They make their authors and publishers a pretty penny. But this latest book of Jon's is not your typical "romance."

Patella Sackworth is the narrator of this new story. She carries a torch for Joseph Oliver Kuhl, a fellow more interested in himself and his car than in anything else. So Patella is casting about for more probable romantic contacts. She considers her young dentist, a genius but (as Patella discovers) he is a fellow with weird tastes, habits, and interests.

Here's a sample from the book. Patella's mother is a "concerned parent," but like all such creatures she must be patient and suffer in near-silence:

      My mother and I sat at the kitchen table and ate our tuna-rice mix. Fredly sat on the floor cultivating a hungry look. I said to her, “I know the feeling, Fredly.” My mother snorted.
      While forking in tuna-rice mix, I visualized about how a vet might give a tuna a blood transfusion. I gave up that train of thought pretty soon as my imagination is better at poetry. My mother continued to correct papers beside her dinner plate, occasionally wiping fork droppings from the papers. When she spills, she does not cuss the way most Balona women would do. Instead, she says, “spit!” Says it frequently with a lot of ess sound that usually makes me jump if I’m near.
      We had yogurt for dessert after the tuna mix, and then cups of hot chocolate. I took a graham cracker to dunk in the chocolate, thus finishing off the meal in style. I visualized writing a recipe book, having it published, going on a road-trip to sell it, and making a million dollars.
      My mother pushed aside her stack of papers and re-scraped the leavings from the sides of her yogurt bowl. “You’re doing Bellona’s sob-stories, Daddy tells me,” she said, licking the spoon. My mother and I are alike in some ways.
      I said, “I am, indeed, and doing okay, I think.” Fredly was biting at my ankle, a way of brushing her teeth or telling me she is still hungry. Or possibly I have adopted an insane vampire cat. I chuckled at the image. My mother thought I was laughing about my new job.
      “If you were to take it seriously,” she said, “you might make a name for yourself in the world of journalism. Some money there until the Internet swamps it.” She wiped a tuna-mix spot from a math paper with the back of her hand.

If one of our BalonaBooks wasn't edited by Joaquin or Amelia or Chris or Jonathan, it was surely edited by this fellow, Jon Riis, the newest entry to our stable of fine authors.
In addition to his authoring, Jon's latest edits are for Joaquin Peralta's immensely popular An almost Private Eye and for Bandits!, and for Emma Snow.

But Jon's latest came on the market in August. We think it is very fine. It is edited by Joaquin Peralta. The cover is by Barbara Hodge. The title, remember, is Woman Times One. The important sub-title is "A Quasi-Romance". That's important because of the "quasi." You can see the cover and get some ordering details just by clicking on the title here.

For historians, see

Newsletter #1
Newsletter #2
Newsletter #3
Newsletter #4
Newsletter #5

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